Once you get going you will find interesting things to talk about.īut while you are doing so, pay attention to her expressions. Ask her questions about what she does, what her hobbies are, and so on. It helps if you are genuinely interested in your model’s life. This is very important because ultimately it matters little if your composition and lighting are brilliant but your model seems bored or disinterested. Keeping your approach to composition and lighting simple gives you time to talk to and build rapport with your model. I also darkened the background in Lightroom to focus attention on the model. I kept the composition of this portrait simple by using a short telephoto lens (85mm) and a wide aperture to blur the background (f/1.8). Simplifying the composition removes distractions, emphasizing your model. Don’t be afraid to move in close and use a wide aperture to throw the background out of focus. Keep backgrounds as uncluttered as possible. The more complex your lighting, the more your attention will be diverted from your model. Keep the theme of simplicity going when it comes to composition and lighting.Īll of the photos you see in this article were taken in natural light, sometimes with the assistance of a reflector. Keep the composition as simple as possibleīlack and white is a form of simplification because it removes color from the scene. In the portrait below, the model’s smooth skin contrasts with the rough texture of the concrete wall she is leaning against.Ģ. You should also pay attention to the textures in your model’s clothing. If your model has smooth skin, you might like to place her against a rough background to emphasize the difference in texture. Texture is also important when shooting in black and white. This portrait uses tonal contrast by placing a model with fair skin against a dark background. If your camera has an electronic viewfinder (like a mirrorless camera) it will display the scene in black and white before you even take the image, making it even easier to see if the composition is working. This will help you see whether the composition is working in black and white, and how the colors in the scene translate to gray tones. In monochrome mode, a digital SLR displays your photos in black and white when you view them on the camera’s LCD screen. Make sure you have image quality set to RAW in case you ever decide to develop a color version of the portrait (RAW files retain the color information). An easy way to do this is to switch your camera to shoot in monochrome mode. You need to ignore colors and see the scene in terms of highlights and shadows. Tonal contrast is the difference in brightness between the different areas of the photo. The two most important elements of a black and white portrait are tonal contrast and texture. You can no longer rely on color to carry the photo if the composition is not as strong as it could be. Once you understand the following five key concepts and you’ll be well on your way to creating beautiful monochrome portraits.īlack and white tests your ability as a photographer. Here are 5 more tips for you to continue learning. In this recent article by dPS author Yacine you get some tips from his perspective and style: How to Create Good Black and White Portraits. But working in black and white is challenging because you have to learn to see in what’s essentially a new medium. Black and white portraits often have a timeless quality that adds to the expressiveness of the portrait. The absence of color seems to allow us to see deeper into the soul and reveals the model’s character. Gibson.īlack and white is a powerful and expressive medium for portraiture. The post 5 More Tips for Making Better Black and White Portraits appeared first on Digital Photography School.
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